Pen to Paper: Method vs. Madness

I like the idea of being organized, with a place for everything and everything in its place. It seems as though it would be soothing and helpful and almost guarantee productivity.

The practice of being organized, however, is to me not merely a closed book, but a closed book trodden on a few times by drunken plow horses (still pulling their plows), dipped in cream of mushroom soup, left for the chickens to peck at, and the remains messily scattered by a tropical storm.

I collect potential character names and phrases that might work into story titles and interesting words that might be springboards to stories. I keep them in two or three squat spiral notebooks as well as in two or three or more files in my computer’s memory. I am not one to place all the eggs in a single basket; if I lose one notebook or computer file, I still have the others and perhaps my literary future will not founder upon the rocks and shoals of happenstance. Then, too, there are the numerous notes to myself on sticky pads and pieces of small, loose note paper.

And just so you know, the great mystery writer Agatha Christie are in agreement on this. Her notebooks make it appear, in comparison, that I have a pristine and rigorous method of tracking my thoughts and notions. So we learn from Christine Kenneally’s delightful article in Slate of a few months ago (published a mere eight days before BP committed a disorganization in the Gulf of Mexico that the vengeful, disaster-wielding God of the Old Testament would have looked upon with some envy. But I digress.)

Christie’s slapdash ways of working should give some comfort to the rest of us who don’t always know what we’re doing either.

Fiction: Fireworks

Rita couldn’t bring herself to look at Gavin as a couple of New York’s Finest took him away. She sobbed as she and Lorie waited in the emergency room for Donald to be taken to a private room.

“I’m so sorry,” Rita said yet again.

Lorie patted her friend’s shoulder. “It’s not your fault.”

“I never knew Gavin gave it a thought. That’s more than two centuries in the past. I can’t fathom why it would it make him so angry.”

“People carry grudges, I guess.” Lorie pondered a moment, looking over to where her husband lay sedated. She could see only the thin sheet covering his feet; his face and the bandaging on his left shoulder were hidden behind a curtain. “Did you know Gavin’s family had lost a man at Bunker Hill?”

“No; he never said a word about it till today.” Rita heaved another sob. “Oh, Lorie, we’ve been friends since I came over as an exchange all those years ago. And now Gavin’s gone off his trolley and it’s all a shambles.”

Lorie hugged Rita. “We’re still chums; don’t be silly. I still want to visit you in Liverpool in the fall.” She paused thoughtfully again. “But in the future… I don’t think we’ll invite friends from England to dinner on our Independence Day.”

Pen to Paper: Naming Your Characters

When I write my stories, I need to know the characters I’m dealing with. I can permit their personalities to develop during the course of writing, but I must know their names. I can start by writing, “Then X crossed to the window and spotted Y doing something unnatural with a tennis racquet.” But before I can go much further, I will have to stop and name both X and Y. The names help to shape the story. If X is Ralph and Y is Aloysius, we will have a very different story than if X were to be Rajit and Y were to be Miyuki.

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Fiction: Lost in Transit

“Where … is … my … daughter?” Thomas demanded yet again.

Harmonee, the ticket agent, tried to remain professional despite wanting to yell at the customer at her desk.

“We are still tracking her down, sir. Please have a seat and we will let you know as soon as we find out.”

“I will not sit down! I want to know where your airline’s idiots in Houston sent my daughter!”

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