Quotable 263

Don’t overwrite. Avoid the redundant phrases, the distracting adjectives, the unnecessary adverbs. Beginners, especially, seem to think that writing fiction needs a special kind of flowery prose, completely unlike any sort of language one might encounter in day-to-day life. This is a misapprehension about how the effects of fiction are produced.
– Sarah Waters

Quotable 145

My attitude toward punctuation is that it ought to be as conventional as possible. The game of golf would lose a good deal if croquet mallets and billiard cues were allowed on the putting green. You ought to be able to show that you can do it a good deal better than anyone else with the regular tools before you have a license to bring in your own improvements.
– Ernest Hemingway

Pen to Paper: The Gender Question

When I write, I use “he” as a gender-neutral pronoun. It’s how I was taught, and I’ve known enough women who are smarter than I am who unapologetically use “he” that I haven’t been terribly self-conscious when I use it. Still, it is obvious that “he” is not gender neutral, and using it as the standard pronoun denies half of the human race.

The “s/he” or “his and/or her” attempts at gender neutrality are simply abominable. They announce, “I’m working so hard to be inclusive that I’ve destroyed the flow of my own sentence, and now you’re focused on my inclusiveness rather than my point.” Alternating between “he” and “she” has the same effect.

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