Pen to Paper: Finding Time to Write

“Bryon, how do you write a short story — and a haiku — every week? How do you find the time for such creativity?”

I get asked this question a lot. Every time I daydream about being a Famous Author standing in front of an auditorium filled to overflowing with fans, someone at one of the microphones set up for questions asks me this.

The answer is simple. I have decided that I will commit this sort of creativity on a weekly basis. That means there are other things I will not do because they would take up the time I require for thinking and dreaming and observing and writing.

Continue reading “Pen to Paper: Finding Time to Write”

Pen to Paper: Mark Twain’s Writing Advice

Mark Twain is back in the news, not that he ever really left it. His unexpurgated autobiography is being published shortly, and I expect more than a few graveyards will hum with all the spinning some of the residents will be doing. (N.B.: I wrote the phrase “unexpurgated autobiography” before hunting up the NYT article that also uses it. Great minds, and all that.)

Twain had something to say about most everything, and he certainly did not spare his own field. He left us a great many thoughts on what makes a good story. Here is one collection of those thoughts. Finally, we have his masterful blast against novelist James Fenimore Cooper. Early on, Twain gives us twelve solid notions of what a writer should and should not do, and he makes note of how Cooper violated these points of literary order.

Enjoy, and make good use of what the old master taught us.

Pen to Paper: Writing vs. Paying the Bills

The readily available evidence indicates that writing fiction for a living is becoming less of an option for those of us with expensive tastes such as food and shelter. The raw numbers can be seen here: Book Advances, Royalty Checks, and Making a Living as a Writer, by Adriann Ranta. It looks easier to win a lottery jackpot with an expired ticket. Some few will always be able to make it happen, of course, but they will increasingly be the exceptions to the rule.

Where does this lead us? Directly to Working the Double Shift, by Emily St. John Mandel. She writes about treating writing as a second job, which makes sense to me. It’s not as glamorous, but it’s practical in terms of money and perhaps in terms of finding things and people to write about, or in letting our subconscious work on a story while we earn the house payment.

Finally, Lapham’s Quarterly assures us that even great writers have held day jobs, so we need not feel badly about the necessity ourselves. (From the world of science, a reminder that Albert Einstein was working in a Swiss patent office when he wrote his groundbreaking papers on light quanta, Brownian motion, and special relativity. Perhaps a mind-numbing job for part of the day can lead to a burst of creativity at other times.)